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Otto Polyakov
Otto Polyakov

Queen Of The South Season 5 - Episode 10



Queen of the South is an American crime drama television series created by M.A. Fortin and Joshua John Miller. The series premiered on June 23, 2016, on USA Network[1] and is an adaptation of the telenovela La Reina del Sur, which is also an adaptation of the novel of the same name by Spanish author Arturo Pérez-Reverte.[2] The series centers around Teresa Mendoza (Alice Braga), a poor Mexican woman who becomes wealthy by building a vast drug empire. On October 1, 2018, it was announced that the USA Network had renewed the series for a fourth season which premiered on June 6, 2019.[3][4] On August 29, 2019, the series was renewed for a fifth season.[5] On March 8, 2021, it was announced that the fifth season is set to premiere on April 7, 2021 and will serve as the series' final season.[6] During the course of the series, 62 episodes of Queen of the South aired, between June 23, 2016, and June 2, 2021.




Queen of the South Season 5 - Episode 10


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And recent episodes teased that the Mexican drug trafficker may have died at the hands of someone she loves the most. Earlier in the season, James Valdez (Peter Gadiot) risked his life to protect Teresa from impending danger. But viewers have been given reason to believe that he may be the person who kills her. So why did James kill Teresa in Queen of the South? And is she really dead?


The series drew inspiration from a variety of sources, including the fantasy role-playing game Dungeons & Dragons and video games. It was produced using hand-drawn animation; action and dialogue for episodes are decided by storyboarding artists based on rough outlines. Because each episode took roughly eight to nine months to complete, multiple episodes were worked on concurrently. The cast members recorded their lines in group recordings, and the series regularly employed guest actors for minor and recurring characters. Each episode runs for about eleven minutes; pairs of episodes are often telecast to fill half-hour program slots. Cartoon Network announced on September 29, 2016, that the series would conclude in 2018, after the airing of its tenth season. The series finale aired on September 3, 2018. On October 23, 2019, four specials, collectively called Adventure Time: Distant Lands, were announced, which will air exclusively on HBO Max starting with two in 2020.


Cartoon Network asked Ward to submit a sample script for their consideration, but Frederator convinced him to rough out a storyboard instead, as "a board would give a better sense of what was on Pen's mind", according to Frederator's vice president Eric Homan.[19] Ward and his college friends Patrick McHale and Adam Muto (the former of whom served as a writer, storyboard artist, and creative director for the show during its first few seasons, while the latter served as a storyboard artist and creative director for the show before becoming its showrunner) began developing ideas, all the while concentrating on "keep[ing] the good things about the original short [while also] improv[ing] on" them.[19][22] The group's first product was a rough storyboard featuring Finn and Princess Bubblegum going on a spaghetti-supper date.[19] Cartoon Network was not happy with this story, and so Ward, McHale, and Muto created a storyboard for the episode "The Enchiridion!", which was their attempt to consciously emulate the style of the original Nicktoons short. This tactic proved successful, and Cartoon Network approved the first season in September 2008. "The Enchiridion!" was the first episode to enter into production.[19][23][24][25]


Ward and his production team began storyboarding episodes and writing plot outlines, but Cartoon Network was still concerned about the direction of the new series. McHale later recalled that during the pitch of an episode titled "Brothers in Insomnia" (which, for various reasons, was scrapped) the room was filled with executives from Cartoon Network. The pitch went well, but the production staff was soon inundated with questions about the stylistic nature of the series. Around this time, Cartoon Network paused production of the show in an attempt to resolve these creative issues.[26] A number of writers and animators were let go, and in their place, Cartoon Network management hired three veteran animators who had worked on SpongeBob SquarePants: Derek Drymon (who served as executive producer for the first season of Adventure Time), Merriwether Williams (who served as head story editor for the show's first and second seasons), and Nick Jennings (who became the series' long-serving art director).[26][27] Drymon, in particular, played a key role at this time, ensuring that both Cartoon Network and the show's production crew were on the same creative page.[26] Thurop Van Orman, the creator of The Marvelous Misadventures of Flapjack, was also hired to guide Ward and his staff for the first two seasons.[28] The storyboard for "Prisoners of Love" assuaged many of the fears some Cartoon Network executives had expressed.[29]


For the first four-and-a-half seasons of the show, Ward served as the showrunner for Adventure Time. In an interview with Rolling Stone, Ward revealed that he had stepped down from this role sometime during the fifth season. As a naturally introverted person, he found interacting with and directing people every day to be exhausting. Following Ward's resignation from the post, Adam Muto became the series' new showrunner. Until late 2014, Ward continued to work on the cartoon as a storyboard artist and storyline writer.[35] After November 2014, he stopped regularly contributing to episode outlines, but still looked over stories, provided occasional input, and continued to storyboard for the series on a limited basis.[35][36][37]


In an interview with The A.V. Club, Ward said the show's writing process usually began with the writers telling each other what they had done the previous week to find something humorous to build on. He also said, "A lot of the time, if we're really stuck, we'll start saying everything that comes to our mind, which is usually the worst stuff, and then someone else will think that's terrible but it'll give him a better idea and the ball just starts rolling like that".[40] Because of the busy schedule of writing and coordinating a television series, the writers did not have time to play Dungeons and Dragons, but they still wrote stories they would "want to be playing D&D with".[40] Sometimes, the writers and storyboard artists convened and played writing games.[44] One game that was often used is called exquisite corpse; one writer starts a story on a sheet of paper, and another writer tries to finish it.[44][45] But while a few episodes (such as the fifth-season episode "Puhoy" and the sixth-season episode "Jake the Brick") have been generated using this game,[46][47] Ward has confessed that "the ideas are usually terrible".[45] Former storyboard artist and creative director Cole Sanchez said episode scripts are either created by expanding the good ideas produced by these writing games, or are based on an idea proposed by a storyboard artist in the hope it can be developed into an episode.[44]


While a great majority of the series' episodes were animated by Korean animation studios, Adventure Time occasionally featured guest animators and directors. For instance, the second-season episode "Guardians of Sunshine" was partly rendered in 3-D to emulate the style of a video game.[54] The fifth-season episode "A Glitch is a Glitch" was written and directed by Irish filmmaker and writer David OReilly, and features his distinctive 3-D animation.[56] Animator James Baxter animated select scenes and characters in both the fifth-season episode "James Baxter the Horse" as well as the eighth-season episode "Horse & Ball".[57][58] The sixth-season episode "Food Chain" was written, storyboarded, and directed by Japanese anime director Masaaki Yuasa, and was animated entirely by Yuasa's own studio.[59][60] Another sixth-season episode, "Water Park Prank", features Flash animation by David Ferguson.[61] A stop-motion episode titled "Bad Jubies", directed by Kirsten Lepore, aired near the middle of the show's seventh season.[62][63] Finally, Alex and Lindsay Small-Butera, noted for their web series Baman Piderman, contributed animation to the eighth-season episode "Beyond the Grotto" and the ninth-season episode "Ketchup".[64][65]


The show's title sequence and theme song have stayed mostly consistent throughout its run, with seven exceptions. During the Fionna and Cake episodes (viz. season three's "Fionna and Cake", season five's "Bad Little Boy", season six's "The Prince Who Wanted Everything", season eight's "Five Short Tables", and season nine's "Fionna and Cake and Fionna") the series runs a different intro sequence that mirrors the original, with the major exception that all the characters are gender-bent, and the theme is sung by former storyboard revisionist Natasha Allegri.[80] Likewise, the intro to the series' three miniseries are each unique: the introduction to the Marceline-centric Stakes (2015) places most of the emphasis on Marceline, and the theme song is sung by Olivia Olson;[81] the introduction to Islands (2017) adopts a nautical theme, highlights the principal characters in the miniseries, and is sung by Jeremy Shada;[82] and the intro to Elements (2017) features imagery reflecting the four primary elements in the Adventure Time universe (that is: fire, ice, slime, and candy) and is sung by Hynden Walch.[83] The introductions to the guest-animated episodes "A Glitch Is a Glitch" and "Food Chain" are each unique, featuring animation courtesy of David OReilly and Masaaki Yuasa, respectively.[84][85] Finally, the series finale, "Come Along With Me", features an introduction offering viewers a glimpse of future Ooo, one thousand years after Finn and Jake. This intro features the new characters Shermy and Beth, and is sung by the latter (voiced by Willow Smith).[86] 041b061a72


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